Place Holder

Differences for Major_Labels_Major_Ripoff

From: Admin 2009-04-27 22:45:57
To: Admin 2009-04-27 22:37:00
<p>The second reason is that they are tight with the distributors, and it’s not in their interest to give you an honest accounting of the sales. You know Columbia house, or the BMG CD clubs? The accounting statements for those are a bank error in their favor. Overseas sales? <i>What</i> overseas sales? If you want to audit them, you're paying for the audit, and you will be contractually obligated to give them warning ahead of time, when they'll clean up their book keeping.</p> <p>The second reason is that they are tight with the distributors, and it’s not in their interest to give you an honest accounting of the sales. You know Columbia house, or the BMG CD clubs? The accounting statements for those are a bank error in their favor. Overseas sales? <i>What</i> overseas sales? If you want to audit them, you're paying for the audit, and you will be contractually obligated to give them warning ahead of time, when they'll clean up their book keeping.</p>
<p>Don’t believe us? Research this on your own if you want to get into the industry. The best is <a href="http://www.negativland.com/albini.html"><b>The Problem With Music</b></a> by Steve Albini. Also, Courtney Love had an interesting lawsuit with her major label, later settled, where she let us behind the scenes on how they treat artists. And we also recommend reading about Janis Ian, as she <a href="http://www.janisian.com/article-internet_debacle.html"><b>talks about file sharing from</b></a> the point of view of an artist with a long career with a label.</p> <p>Don’t believe us? Research this on your own if you want to get into the industry. The best is <a href="http://www.negativland.com/albini.html"><b>The Problem With Music</b></a> by Steve Albini. Also, Courtney Love had an interesting lawsuit with her major label, later settled, where she let us behind the scenes on how they treat artists. And we also recommend reading about Janis Ian, as she <a href="http://www.janisian.com/article-internet_debacle.html"><b>talks about file sharing from</b></a> the point of view of an artist with a long career with a label.</p>
-<h3>All Rights Reserved...For <i>Them</i></h3>+<h3><a>All Rights Reserved...For <i>Them</i></a></h3>
<p>Before you sign away on that dotted line, make sure that you understand the rights that you have with the music you create. Read our <a href="http://indiebandsurvivalguide.com/wiki/page/Copyright_for_Independent_Bands"><b>copyright section</b></a> for more information.</p> <p>Before you sign away on that dotted line, make sure that you understand the rights that you have with the music you create. Read our <a href="http://indiebandsurvivalguide.com/wiki/page/Copyright_for_Independent_Bands"><b>copyright section</b></a> for more information.</p>
<p>Once you know what you're giving away, imagine you just bought a house. You may have a lot of debt, but at least the place you’re living in will one day be yours. You are paying out monthly, but you are slowly on the path to owning your house. It’s a good feeling. When you’re done, you own something of value.</p> <p>Once you know what you're giving away, imagine you just bought a house. You may have a lot of debt, but at least the place you’re living in will one day be yours. You are paying out monthly, but you are slowly on the path to owning your house. It’s a good feeling. When you’re done, you own something of value.</p>
</ul><p>Possibly the best online link for this issue is the <a href="http://futureofmusic.com/"><b>Future of Music Coalition</b></a>, which is literally a group of musicians trying to set things right. Their <a href="http://futureofmusic.org/contractcrit.cfm"><b>critique of major label contracts</b></a> is very informative.</p> </ul><p>Possibly the best online link for this issue is the <a href="http://futureofmusic.com/"><b>Future of Music Coalition</b></a>, which is literally a group of musicians trying to set things right. Their <a href="http://futureofmusic.org/contractcrit.cfm"><b>critique of major label contracts</b></a> is very informative.</p>
<p>The best research you can do on this topic is definitely the book <u>All You Need to Know About the Music Business</u> by Donald S. Passman and our own <b><u><a href="/wiki/page/Order_the_Book">The Indie Band Survival Guide</a></u></b>, as mentioned above.</p> <p>The best research you can do on this topic is definitely the book <u>All You Need to Know About the Music Business</u> by Donald S. Passman and our own <b><u><a href="/wiki/page/Order_the_Book">The Indie Band Survival Guide</a></u></b>, as mentioned above.</p>
-<p style="text-align:right;"><a href="/wiki/page/Commercial_Radio_in_Three_Words_Pay_for_Play"><b>Next: Commercial Radio in Three Words: Pay for Play</b></a></p>+<p style="text-align:right;"><a href="/wiki/page/Commercial_Radio_in_Three_Words_Pay_for_Play">Next: Commercial Radio in Three Words: Pay for Play</a></p>
© 2010 IndieBandSurvivalGuide.com, LLC