en-us /wiki/page/directions:462399 randy@indiebandsurvivalguide.com 1. Select a Song-Performance PRO in the US to join such as ASCAP or BMI (SESAC is invite-only)

You can/should only join one, so you will have to compare and choose which one is right for you (they all do essentially the same thing, but offer different anxillary benefits such as discounts on gear and services). Typically, there is a one time fee to register.

2. Sign up as BOTH a songwriter and as a publisher to double your money

Your performance copyright in a song is split in two -- the author and the publisher -- which each get 50% share of the money if a PRO discovers your music has been performed. If you only sign up as a songwriter, you're losing out on 50% of the money owed you.

3. Register your songs as both the songwriter and publisher

Once you join, follow your PRO's instructions and register your music appropriately so the PRO knows which songs to track in their surveys and who to pay.

4. Join the Sound-Recording-Performance PRO, SoundExchange (US or Mexico only)

Sound Exchange is the PRO that obtains performance royalties for sound recordings. Since sound-recording rights are different from the song rights, you can join this PRO in addition to one of the song-performance PROs.

5. Sign up as both a "featured artist" and "sound-recording copyright owner" to double your money

Sign up as a "sound-recording copyright owner" and designate the "featured artist" for the sound recording – usually you or your band – as royalties are split between the two. If you don’t register both, it will result in lost royalties.

6. Register each of your sound recordings and songs

Joining is not enough. You need ot register each of your Sound recordings and songs with your PRO. Register your music appropriately so the PRO knows which songs to track in their surveys and who to pay.

]]> /wiki/page/directions:462399/409461 2009-12-09 17:01:21 randy 1. Select a Song-Performance PRO in the US to join such as ASCAP or BMI (SESAC is invite-only)

You can/should only join one, so you will have to compare and choose which one is right for you (they all do essentially the same thing, but offer different anxillary benefits such as discounts on gear and services). Typically, there is a one time fee to register.

2. Sign up as both a songwriter and as a publisher to double your money

Your performance copyright in a song is split in two -- the author and the publisher -- which each get 50% share of the money if a PRO discovers your music performed. If you only sign up as a songwriter, you're losing out on 50% of the money owed you.

3. Register your songs as both the songwriter and publisher

Once you join, follow your PRO's instructions and register your music appropriately so the PRO knows which songs to track in their surveys and who to pay.

4. Join the Sound-Recording-Performance PRO, SoundExchange (US or Mexico only)

Sound Exchange is the PRO that obtains performance royalties for sound recordings. Since sound-recording rights are different from the song rights, you can join this PRO in addition to one of the song-performance PROs.

5. Sign up as both a "featured artist" and "sound-recording copyright owner" to double your money

ign up as a "sound-recording copyright owner" and designate the "featured artist" for the sound recording – usually you or your band – as royalties are split between the two. If you don’t register both, it will result in lost royalties.

6. Register your sound recordings

Once you join, follow your PRO's instructions and register your music appropriately so the PRO knows which songs to track in their surveys and who to pay.

]]> /wiki/page/directions:462399/391052 2009-08-19 11:16:30 katelyn 1. Select a Song-Performance PRO in the US to join such as ASCAP or BMI (SEASAC is invite-only)

You can/should only join one, so you will have to compare and choose which one is right for you (they all do essentially the same thing, but offer different anxillary benefits such as discounts on gear and services). Typically, there is a one time fee to register.

2. Sign up as both a songwriter and as a publisher to double your money

Your performance copyright in a song is split in two -- the author and the publisher -- which each get 50% share of the money if a PRO discovers your music performed. If you only sign up as a songwriter, you're losing out on 50% of the money owed you.

3. Register your songs as both the songwriter and publisher

Once you join, follow your PRO's instructions and register your music appropriately so the PRO knows which songs to track in their surveys and who to pay.

4. Join the Sound-Recording-Performance PRO, SoundExchange (US or Mexico only)

Sound Exchange is the PRO that obtains performance royalties for sound recordings. Since sound-recording rights are different from the song rights, you can join this PRO in addition to one of the song-performance PROs.

5. Sign up as both a "featured artist" and "sound-recording copyright owner" to double your money

ign up as a "sound-recording copyright owner" and designate the "featured artist" for the sound recording – usually you or your band – as royalties are split between the two. If you don’t register both, it will result in lost royalties.

6. Register your sound recordings

Once you join, follow your PRO's instructions and register your music appropriately so the PRO knows which songs to track in their surveys and who to pay.

]]> /wiki/page/directions:462399/390850 2009-08-11 13:57:46 katelyn